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The ink isn't dry on this font feud, and America's watching

Let me tell you something about fonts. Until this week, I thought the most political thing about Times New Roman was my desperate attempt to stretch a two page essay into three pages by bumping it to 12.5 point font in tenth grade. 2006 Ms. Jenkins English class, you really thought I didn't know how to adjust margins? Please. But now? Now it seems my entire understanding of geopolitical signaling was incomplete. Because apparently, the serifs on your letters matter almost as much as the signatures beneath them.

This week, Secretary of State Marco Rubio made headlines by ordering all diplomatic communications to abandon Calibri and return to the hallowed grounds of Times New Roman. The reasoning? Well, according to leaked cables, it's about restoring professionalism while cutting wasteful diversity initiatives. Before you start laughing, yes, we're genuinely having a national conversation about whether rounded letters undermine American credibility. I'm not joking. Check your Outlook settings, people. The culture war now has a default typeface.

Here's what you need to know. Back in 2023, the State Department under the previous administration switched to Calibri, largely because disability advocates argued sans serif fonts were easier to read for people with visual impairments. Accessibility matters! Microsoft defaults matter! These seemed like reasonable hills to die on. But according to Rubio's memo, this was just another example of DEIA — diversity, equity, inclusion, and accessibility — programs bloating the bureaucracy. So out with the rounded edges, in with the angular serifs. Welcome to politics where even your keyboard isn't safe from partisan warfare.

Now look, I remember when typeface drama felt quaint. 2010, Obama's campaign using Gotham on all those 'Hope' posters. Clean lines, modern vibes. It screamed change. Then 2016 rolled around and Trump's bold, all caps impact font tweets became their own genre of political theater. Every administration signals through aesthetics because optics matter &sigh. But this Calibri versus Times New Roman showdown? This transcends aesthetics. It's about what we prioritize as a nation, and more importantly, who gets prioritized.

Let's get one thing straight. Supporters of this move aren't just arguing about letters. They're talking about efficiency. The Trump administration has consistently targeted federal DEIA programs as redundant or discriminatory, often citing fiscal responsibility. Why spend resources adjusting fonts when Times New Roman already exists as a widely recognized standard? It's a fair question. Especially when you consider that government contracts for redesigning documents or updating accessibility standards could rack up costs faster than a college kid discovering font size adjustments in their term paper. 2012 vibes, anyone?

Still, critics see darker undertones. Some disability advocates argue that dismissing Calibri undermines efforts to make government services inclusive. Studies do suggest sans serif fonts like Calibri improve readability for individuals with dyslexia or visual impairments. Ignoring that feels, well, myopic. But Rubio's memo insists Times New Roman projects more authority. Which begs the question &sigh. Since when did America's diplomatic power rely on the decorative feet of our lowercase &sigh;t&sigh;?

This whole debacle reminds me of working at my college newspaper back in 2018. We spent three staff meetings arguing whether to switch from Garamond to Arial. Three. Meetings. And we were unpaid student journalists surviving on ramen and idealism. If we could waste that much time on typography without taxpayer money, imagine the Oval Office level debates about ink strokes. It's hilarious and terrifying all at once.

But here's where things get spicy. The media reaction. When Trump does anything, outlets dissect it like the Zapruder film. If Biden had reinstated Times New Roman, the headlines would praise &sigh;returning to classic American values.&sigh; With Trump? Suddenly we're analyzing font choices as covert attacks on marginalized communities. The double standard is thicker than boldface. Not a single article mentions that Times New Roman has been the go to for academic and professional writing since the invention of the printing press. Or that maybe, just maybe, government communications should look consistent across administrations.

Let me be clear. I'm not saying accessibility doesn't matter. It absolutely does. But let's not pretend this font switch is some grand conspiracy against disabled Americans when government websites still crash daily and federal forms require PhDs to decipher. Maybe fix those issues before crucifying Rubio over serifs. Priorities, people.

The real kicker? This isn't even the first time fonts caused political chaos. 2021, Canada's government got roasted for spending thousands developing a &sigh;unique national typeface.&sigh; In 2009, Ikea's switch from Futura to Verdana caused global outrage among design nerds. And don't get me started on Comic Sans. The point is, typography triggers people. Deeply. So when politicians wade into these waters, they either look obsessive or bold, depending on your political tribe. In this polarized climate, even a semicolon could start a riot. Good thing the memo banned those too.

All jokes aside, the DEIA debate underlying this font feud matters. Trump's administration has made dismantling these programs a signature issue, arguing they promote division over unity. Supporters see this as correcting overreach. Critics see erasure. Whatever your stance, framing a typeface change as &sigh;abolishing wasteful programs&sigh; is peak political theater. It's small enough to seem trivial but symbolic enough to ignite culture warriors on all sides. Brilliant or absurd? Depends who you ask. American democracy, ladies and gentlemen. We fight over fonts but can't agree on healthcare.

Personally, I think there's a middle ground. Keep Times New Roman for formal treaties and official letterheads. Use Calibri for public facing materials where accessibility matters most. Compromise exists, even in D.C. But nuance doesn't generate clicks, so instead we get headlines about Trump's war on rounded letters. Which, honestly, sounds like a rejected Dr. Seuss book. 'The Grinch Who Stole Calibri'. Coming soon to a cable news chyron near you.

In the end, this whole saga proves two things. One, everything is political if you stare at it long enough. Two, Americans will debate anything except the actual boring stuff that keeps the government running. Next week, we'll probably learn the Pentagon has strong opinions on double spacing after periods. Stay tuned.

So here we are. A nation divided by fonts but united in our ability to make mountains out of molehills. Maybe that's the real American exceptionalism. Now if you'll excuse me, I need to go adjust my Google Docs settings. Just in case.

Disclaimer: This article reflects the author’s personal opinions and interpretations of political developments. It is not affiliated with any political group and does not assert factual claims unless explicitly sourced. Readers should approach all commentary with critical thought and seek out multiple perspectives before drawing conclusions.

Sophie EllisBy Sophie Ellis